The Okayo 150W is a portable cordless battery powered PA system for announcements and background music. Supplied with one wireless handheld headset microphone and speaker stand. Bluetooth channel for music. Ideal for wedding ceremonies in locations without access to mains power. Optional second cordless microphone $25.00+GST.

Front and back views shown for clarity only - system comprises one unit only.

$100.00+GST

The Roland BA-330 is a portable battery powered stereo PA system for wired music and vocals. Ideal for performances in locations without access to mains power. Connections for two wired mics, two instruments and iPod. Inbuilt FX. Runs off 8xAA batteries. Inbuilt tilt stand. Download Roland BA-330 brochure

Front and back views shown for clarity only - system comprises one unit only.

$75.00+GST

RCF ART-310A, 10"/1" Powered 2-way Speaker

Compact professional box with clear highs and good bass. Recommended for larger wedding ceremonies, corporate functions and special events requiring a discreet PA system for clear speech and/or background music. 350W RMS, 50-20kHz, 127dB max, 53.7 x 33.7 x 31.5 cm, 12.4kg. XLR input connection only, requires a mixing desk for use with iPods or Laptops. 6 units available.

ALTO Truesonic TS112W, 12”/1" Powered Bluetooth Speaker

Stream music wirelessly from any Bluetooth enabled device such as iPod Touch, iPad, iPhone or Laptop. Mains power required. Two complete units are required for stereo. Two additional channels provided for wired mics or music. 400W RMS, 54-20kHz, 125dB peak, 64.8 x 38.4 x 36.5 cm, 16.4kg. Bluetooth 2.0 A2DP.

$50.00+GST

The JBL EON712 is the next generation of the highly successful EON series which represents a major step forward in innovation and technology by delivering truly intelligible, clearly consistent coverage at any volume level. Mains power required. Two complete units are required for stereo. Two additional channels provided for wired mics or music. 650W RMS, 50-20kHz, 127dB max, 100°x60° coverage, 67 x 38 x 32cm, 14.5kg. Bluetooth 5.0 streaming and control.

Multi-purpose powered foldback wedge or FOH speaker with 12" LF, 1.75" coaxial HF horn and a range of inbuilt EQ and delay settings. 520W IHF, 50-20kHz. Max SPL 128dB. 34 x 41.4 x 48.4 cm, 15kg. Inbuilt socket for speaker stand mounting (click photo for more detail). 16 units available.

Very powerful 15" box with in-built power amp and full face grille. The large 2" compression driver ensures excellent vocal projection at high volume. These make a great band FOH PA when used together with the RCF 4Pro 8001AS subs. 400W continuous, 45-20kHz, 129dB Max, 90°x60° coverage. 68 x 40.5 x 34.5 cm, 24kg. 4 units available.

Large box with crisp highs and great bass extension. The best option for DJ's playing house parties without subs. Two wired mic/line inputs. 1100W peak, 40-20kHz, 130dB SPL, 90°x60° coverage. 71.9 x 45.7 x 36.8 cm, 27.7kg. Speaker stand or pole mount included.

The top-of-the-line Yamaha DZR15-D is a Dante-equipped 2-way bi-amped powered loudspeaker that offers superb clarity at an impressive maximum SPL of 139dB thanks to the high power 2000W Class-D amplifier module and advanced FIR-X tuning. The 15″ LF driver and 2″ tweeter are housed in a durable plywood cabinet, which has a variety of rigging options for a very flexible setup and speaker placement. 2000W peak, 34-20kHz, 139dB Max SPL, 90°x50° coverage. 45 × 76.1 × 46 cm , 25.2kg. 4 units available.

$65.00+GST

The Blackbird BB22 is a compact, four way, self-powered, very high SPL, low distortion point source speaker system utilising coaxial component integration. Low-profile when used horizontally as a centre-fill speaker or slim-line powerful component when used vertically. 50Hz–20kHz ±3dB, 135dB @ 1 metre. 90°(H)x60°(V) rotatable horn flare. 2x 10" Neo XLF & LF, 1x 4" Coaxial MF Ring Radiator, 1x 1.4" Coaxial HF horn. 4000 Watts continuous. 63(H)x 30(W) x37(D) cm, 26 Kgs. 4 units available.

1500W peak, 42-18.5kHz, 139dB Max SPL output, 90°x50° coverage. 107 x 44.5 x 53.8cm, 37.2kg. Recommended for professional DJ's when used in conjunction with PRX718XLF subs. 4 units available.

1500W peak, 30-103Hz, 134dB Max SPL output. 69 x 52.3 x 72.4cm, 37kg. Recommended for professional DJ's. M20 extension pole fitting. 4 units available.

High performance active sub recommended for live bands. 800W continuous, selectable crossover frequency, 133dB max 70 x 52 x 70 cm, 54kg. 35mm extension pole socket.

System comprises 4 x CLA700A powered line array mid/high cabinets and 4 x LF3200A 18" powered subwoofer cabinets. Each top box is equivalent to two (2) small conventional line arrays built into the one box. 25,600W amplifier power rating. 3-Phase power supply recommended for optimal performance. Response: 30Hz-20kHz. Each stack measures 216cm in height.

Click image for more line array options.

Australian Monitor XRS12ODV 12"/2" Passive Speaker

Finally an outdoor speaker with grunt! The IP44 weatherproof design makes it ideal for sporting carnivals and outdoor events. Internal transformer with switchable taps for long distance 100V line operation, 300W RMS power rating at 8 ohms. 50Hz-18kHz, 127db max. Linked SpeakON sockets for easy daisy chain connection. Weight 22kg. 35mm pole mount. 10 units available.

Dual mounting fork available separately.

Heavy Duty Speaker Lead

Heavy duty 2.5mm² (13 AWG) twin core speaker cable fitted with Neutrik SpeakON connectors at both ends.

Available in lengths of 1, 2, 3, 5, 10, 20, 30, 40, 50, 70 & 100m.

1,2,3,5,10m - $2+GST

20,30,40m - $5+GST

50,70,100m - $10+GST

1100Wx2CH 4Ω stereo, 3400W 4Ω bridged mono, XLR & 1/4" input and SpeakON or binding post output connections. Stereo, Parallel or Bridge operation. Needs to be used in bridge mode to run 100V line speakers.

2000Wx2CH 4Ω stereo, 5400W 4Ω bridged mono, XLR input and SpeakON or binding post output connections. Stereo, Parallel or Bridge operation. This particular amp has sufficient voltage gain and output power to run 2 separate channels of 100V line speakers without a transformer.

Analogue mixing desks remain a popular option because they are the most straight-forward and easiest to use for recorded music playback, acoustic solo/duos and general announcement jobs. They are easy to use in bright sunlight for outdoor daytime shows. The larger channel count mixers may be used for 5-6 piece bands, however the limited number of auxilliary mix O/P's may be a limitation and control of feedback will definitely require the use of an outboard EQ and compression rack

4 Mic + Stereo/Bluetooth channel. 3 band channel EQ, inbuilt FX, one Aux send. The in-built SD card reader is ideal for recording meeting minutes and conference proceedings. USB to Laptop connection. Use the inbuilt Bluetooth receiver channel to stream music from your phone or laptop.

6 Mic + Stereo channel. The unique 3 band EQ with asymmetric sweepable mid provides broad Q boosts and narrow Q cuts making this mixer a standout in it's class - invaluable for small live sound productions. Also includes dBx limiting, Lexicon FX and two Aux monitor sends.

4 Mic + 2 Stereo channels. 3 band channel EQ, Inbuilt FX, 7-band graphic EQ and one monitor send.

6 Mic + 3 Stereo channels. 3 band channel EQ, Inbuilt FX, 7-band graphic EQ and one monitor send.

Soundcraft Signature 12 Mixing Desk

8 Mic + Stereo channel. The unique 3 band EQ with asymmetric sweepable mid provides broad Q boosts and narrow Q cuts making this mixer a standout in it's class - invaluable for small live sound productions. Also includes dBx limiting, Lexicon FX and two Aux monitor sends.

10 Mic + 2 Stereo channels, single knob compression, 3 band channel EQ w' sweepable mid, PFL, 2 aux sends, 2 FX channels, 2 stereo groups. VOX priority ducking feature that automatically mutes the background music while announcing, making it ideal for sporting events, fetes and carnivals.

10 Mic + 2Track input, 3 band EQ w' sweepable Mid, PFL, 'Voice' filter, 2 Mon, 2 Aux and 2 FX sends with legendary 'PowerMate' reverb and tap delay, 11 band stereo graphic EQ.

The legendary MixWizard with 16 Mic/Line inputs & Inserts, 2 Stereo returns, 4 band EQ with 2 sweepable Mids, PFL, 4 Aux and 2 FX sends with 20 studio quality presets. Dedicated mono output fader for centre fill or sub bass feed. USB interface. Analogue mixers are still the best choice for musicians running their own side mix and outdoor daytime events - try using a digital mixer in the blazing sun! We recommend this mixer be used with the EQ and compression rack

16 Mic + 2 Stereo channels, 4 band EQ with sweepable high mid, PFL, 2 Aux sends, single channel FX. Supplied in road case (80 x 69 x 24cm). A popular choice for outdoor daytime events, particularly if used with the EQ and compression rack

Modern digital mixing desks are jam packed full of useful sound processing functions that are essential tools for the experienced sound engineer. The correct use of these features does rely on a good understanding of their analogue counterparts. Unfortunately for the novice user, there is no automatic button that will mix the whole show. Unless you are familiar with a particular type of digital mixer, inexperienced users are advised to stick to analogue mixers for the simple reason that there are 'less things to go wrong'.

Controlled by your Tablet, PC or Smartphone using integrated WiFi, this compact but powerful little mixer provides 8 Mic inputs, 1 Stereo RCA input and music playback or recording via a dedicated USB slot. Parametric EQ, HPF, Comp, De-esser and Noise gate are available on all inputs. 31-band Graphic EQ, Noise gate and Compressor on all outputs. Real-time Frequency Analyser (RTA) on all inputs and outputs. Reverb, Delay and Chorus FX. Two Aux monitor sends.

The TF1 desk offers 16 Mic inputs + 2 dedicated Stereo channels and 16 O/P mixes. The Tio1608-D stage box provides 16 Mic inputs and 8 O/P mixes. The desk includes inbuilt HPF, Gating, Limiting, Compression and 4-band parametric EQ on every channel. Inbuilt FX. Flying faders. Supplied in road case with 50m of Cat5 shielded cable. The best choice for small corporate gigs because of the high reliability Dante link and compact footprint.

24 I/P, 12 O/P + Stereo & talkback channels, 4 inbuilt FX channels, HPF, Gating, Limiting, Compression and 4-band parametric EQ on every channel, graphic EQ's. Flying faders. "Auto mic mixing" feature for conference applications. Can be controlled remotely with your iPad and router. Supplied in road case with 50m of Cat5 shielded cable.

32 I/P, 16 O/P + Stereo & talkback channels, 4 inbuilt FX sends. 15x31-band graphic EQ's, HPF, Gating, Limiting, Compression and 4-band parametric EQ on every channel, 8 Mute groups, L/R & mono outputs, 16 (aux) mix outputs. Uniquely the RM32Ai stage box is the actual mixer and can be controlled by an iPad without the need for the CS18Ai desk. The desk is simply a more conventional control surface that connects to the RM32Ai via Cat5 cable and provides 2 stereo I/P's and headphone O/P. Flying faders. 32 channel multi-track recording is possible using Firewire connection of the rack to your laptop. Supplied in road case with AVB switch, wireless router and Cat5 cable.

The Soundcraft SI Impact is a 32 I/P, 16 O/P compact digital console optimised for live sound. It is powerful, yet simple to use, with intuitive controls, consistent colour-coded feedback and rapid parameter access. MADI Cat5 link to stage box as standard, USB I/O, motorised faders, assignable channel strip etc. Supplied in road case with 50m of Cat5 shielded cable.

Popular touring grade mixer with 32 I/P, 16 O/P and a host of great features. AES50 Cat5 link to stage box. USB interface. Supplied in road case (113x70x34cm) with 50m of Cat5 shielded cable, IEC power lead and gooseneck lamp. Compatible with Behringer X32 mixer.

High performance user friendly mixer with latest generation 96kHz FPGA core, 24 I/P, 14 O/P local connections. The GX4816 stage box expands this to 48 I/P, 16 O/P. Mixer supplied in road case (71x65x29cm) with 50m of Cat5 shielded cable, IEC power lead.

Tour-Grade Cat5e or Cat6a cable with shielded cable and Neutrik EtherCON RJ45 connectors. The 15m, 20m and 30m cables are loose rolled, the 50m & 75m cables are supplied on a reel.

15m - $10+GST

20m - $15+GST

30m - $18+GST

50m - $22+GST

75m - $25+GST

Shure SLX Cordless Microphone System

Supplied with either Handheld, Headset or Lapel microphone. Industry standard true diversity reception. The Shure Beta58 handheld, SM35 headset or WL183 lapel mics deliver excellent vocal clarity and reliable wireless communications. 638-662MHz frequency range. Supplied with case, clip and leads.

Shure SLX Cordless Microphone System - Racked

Supplied with either Handheld, Headset or Lapel mics. Industry standard true diversity reception. The Shure Beta58 handheld, SM35 headset or WL183 lapel mics deliver excellent vocal clarity and reliable wireless communications. 638-662MHz frequency range. Supplied with case, clip and leads.

Rack of 4

$200.00+GST

Shure PSM-300 'IEM' In Ear Monitor - Racked

Used by musicians to hear themselves on stage as an alternative to foldback monitor speakers. The PSM300 system includes the P3RA bodypack receiver, which features durable aluminium construction and advanced audio controls. The system comes with SE215CL Sound Isolating™ Earphones for detailed sound, enhanced bass and up to 37 dB of isolation. 1 only $90+GST, 2 only $160+GST, 3 only $210+GST. Supplied with case and leads.

Rack of 4

$250.00+GST

Sennheiser EW 100 945 G3 Wireless Handheld Mic System

Premium cordless mic system for high quality lead vocal applications. The 945 handheld transmitter is built around a proven high quality dynamic microphone with a super-cardioid polar pattern. The true diversity receiver ensures crystal clear reliable wireless communication with no drop-outs. Supplied with case, clip and leads.

Sennheiser EW 152 Headset Mic System

Premium industry standard headset mic system for high quality presentations. Includes Sennheiser ME 3 cardioid condensor headset. Supplied with case and leads.

Sennheiser EW 112 G3 Wireless Lapel System

Premium industry standard lavalier (lapel) mic system for high quality presentations. Includes Sennheiser ME 2 omnidirectional condensor lapel mic. Supplied with case and leads.

Sennheiser EW 112-P G3 ENG Wireless Lapel On-Camera System

The EW 112 set comprises one ME 2 clip-on lavalier (lapel) mic, one SK100 bodypack or SKP100 transmitter and one EK 100 camera-mount receiver. Recommended for ENG, O/B, TV and field recording applications. Frequency Range (B) 626-668 MHz. Availability: currently 3 x beltpack / on-camera sets available and 1 x SKP100 transmitter. Supplied with case and leads.

Sennheiser XSW-35 Wireless Handheld Mic System

General purpose mic for speech and announcements. The 835 cardioid handheld mic and true diversity receiver delivers clear sound and reliable wireless communications. The conveniently located mute switch gives on/off control back to the presenter, making this microphone ideal for intermittent announcement work such as sporting carnivals, fetes and fairs etc. Supplied with case, clip and leads.

Sennheiser XSW Skin-tone Headset Mic System

Sennheiser XSW true diversity receiver and beltpack transmitter supplied with a generic omni directional skin-tone headset ideal for amateur stage productions. Also available in stackable racks of 4 or 8 receivers. Supplied with case and leads.

Sennheiser XSW-12 Wireless Lapel Mic System

Wireless lapel mic system supplied with ME2 clip-on mic, beltpack transmitter and true diversity receiver for high reliability. Supplied with case, clip and leads.

Long Range Cordless Mic Antenna Paddles

Sennheiser A2003-UHF long range directional antenna system designed to ensure reliable communications free of drop-outs over a large area such as a football field. Suits Shure or Sennheiser mic systems. Supplied as a pair of paddles with bridging holder and BNC cables.

Wireless Guitar Sender

Line 6 Relay 10 or NU-X B5RC Deluxe 2.4GHz wireless sender. Simple, easy to use cordless guitar sender unit for guitar or bass.

XLR Stereo Audio Wireless Link

ALTO 'Stealth' stereo wireless audio sender and dual receivers. Add wireless audio connectivity to any active loudspeaker. 60m maximum range. 16 selectable UHF channels. Line level XLR input and output.

Shure SM58 Dynamic Vocal Mic

The most popular mic for live close vocals. The cardioid pick-up pattern is suitable for one or two singers. Recommended for male singers. Sensitivity -54.5dBV/Pa. Supplied with pouch and clip. 12 available

Shure BETA 58A Dynamic Vocal Mic

High output mic for live close vocals. The super cardioid pick-up pattern suitable for a single singer only. Recommended for speech and female singers. Sensitivity -51dBV/Pa. Supplied with pouch and clip. 12 available

Shure SM57 Dynamic Instrument Mic

Cardioid dynamic instrument mic for snare drum, toms, conga, bongos, tabla, harmonium, guitar amp, brass etc. Clip available for mounting on snare drum rim. Sensitivity -56.0dBV/Pa. Supplied with pouch and clip. 9 available

Sennheiser e906 Dynamic Guitar Mic

High quality switched mic for miking guitar cabinet.  Super cardioid pick-up pattern. Sensitivity -53.2dBV/Pa. Supplied with pouch and clip. 1 available

$20.00+GST

Shure Beta 57A Dynamic Microphone

Super cardioid dynamic microphone for vocals and selected instrument applications. Not recommended for snare drum. Sensitivity -51dBV/Pa. Supplied with pouch and clip. 2 available

Sennheiser e845s Dynamic Vocal Mic

High quality switched mic for live close vocals.  Super cardioid pick-up pattern. Sensitivity -54.9dBV/Pa. Supplied with pouch and clip. 4 available

Sennheiser E604 Tom Mic

Clip-on dynamic mic with cardioid pickup pattern capable of handling very high sound pressure levels in excess of 160dB. Ideal for floor and rack toms. Sensitivity -54.9dBV/Pa, 160dB max. 8 available

AudioTechnica ATM350 Sax Mic

The ATM350 is a high quality wired cardioid condenser microphone designed to clip to brass, reeds, piano, snare, toms, or violin. The microphone offers a crisp, clear, well-balanced response, even at high SPLs. It connects to an in-line XLR adaptor via 4m of thin cable and includes an integral 80 Hz hi-pass filter. Its cardioid polar pattern reduces pickup of sounds from the side and rear for effective protection against feedback. Sensitivity -49dBV/Pa, 149dB max. 4 available

RODE M5 Pencil Condenser

Professional small-diaphragm condenser microphone for choir and general sound reinforcement duties. Cardioid pick-up pattern. Includes clip and wind shield if required. Quite sensitive mic for ambient recording, live choirs or percussion. Sensitivity -34dBV/Pa, 140dB max. Supplied with pouch and clip. 9 available

RODE NT5 Pencil Condenser

Professional small-diaphragm condenser microphone. Cardioid pick-up pattern. Includes clip and wind shield if required. Ideal for recording instruments, live choirs, drums or percussion. Sensitivity -38dBV/Pa, 143dB max. Supplied with pouch and clip. 2 available

AKG C451 Pencil Condenser

High quality small-diaphragm condenser microphone ideal for drum overhead, recording or premium sound reinforcement. Cardioid pick-up pattern, 75/150Hz high-pass filter, -10/-20dB pad. Sensitivity -41dBV/Pa, 135/145/155dB max. Supplied with case and clip. 8 units available

Shure Beta 91A Kick Drum Mic

Premium quality boundary effect condenser microphone designed to be placed inside a kick drum or piano. No stand required. Producing an excellent low end punch and high end beater attack, it includes an in-built EQ switch for flat or scooped frequency response. Sensitivity -48.5dBV/Pa, 151dB max. 2 available

Shure Beta 52A Kick Drum Mic

The Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. Sensitivity -64dBV/Pa, 174dB max. 1 only

JTS JM-X2 Kick Drum Mic

A high quality copy of the legendary Shure Beta52A dynamic kick drum mic with in-built mounting. 1 only

AKG D112 Kick Drum Mic

Legendary high quality dynamic kick drum mic with clip. 160dB max. Sensitivity -55dBV/Pa, 160dB max. 1 only

RODE NT4 Stereo Condenser

Stereo X-Y condenser microphone for choir and general sound reinforcement duties. Cardioid pick-up pattern. Includes clip and wind shield if required. Ideal live choir mic, drum overhead or percussion. Sensitivity -38dBV/Pa, 143dB max. Supplied with case and clip. 1 only

Realistic Back Electret Cardioid Condenser

Realistic 33-1080 back electret cardioid microphone. Retro unit released 1981. Reportedly a rebranded Sony ECM/C22. Works well but more useful now days as a film/television prop. Self-powered from internal AA battery allows direct use with cassette decks. 130dB max. Supplied with case, clip, cable & windshield. 2 available.

Freestanding Lectern/Choir Mic

AKG CK31 cardioid condenser microphone permanently mounted on a floor mount pedestal base with inbuilt gooseneck. Excellent pickup without feedback. Sensitivity -34dBV/Pa. 1 only

RODE NTG3 Shotgun Condenser Mic

Broadcast quality, high sensitivity shotgun mic for video production. Super-cardioid polar pattern. High level of immunity to RF interference. Sensitivity -30dBV/Pa, 130dB max. Supplied with suspension mount and foam wind shield. 1 only

sE Electronics sE-4400a Studio Condenser

High quality compact dual diaphragm condenser microphone with switchable cardioid, hyper cardioid, Omni or Figure-8 polar patterns, 20-20,000Hz, 142dB maximum SPL, includes shock mount. Switchable 60/120 Hz HPF and -10/-20dB pre-attenuation pad. Sensitivity -32dBV/Pa, 122/132/142dB max. Supplied with suspension mount and case. 4 units available

Audio Technica AT-4050/LE Studio Condenser

Broadcast quality large diaphragm studio condenser microphone with dual membrane capsule, three switchable polar patterns, 20-18,000Hz, switchable 80Hz hi-pass filter and 10dB pad. Sensitivity -36dBV/Pa, 149/159dB max. Includes shock mount, wooden case. 1 only.

Behringer DI100 Ultra-DI Box

A Direct Injection (DI) box is used to convert 1/4" jack outputs from a guitar or keyboard to balanced 3-pin XLR for sending to the input of a mixing desk using a standard microphone cable. 1/4" guitar leads are only good for a few metres at most before hum becomes a problem but once converted to XLR the signal can be carried 100m or more (such as a multicore snake) without any degradation. One DI required per instrument or two for a stereo keyboard. This is an active DI box which requires 48V Phantom power from the desk.

Mackie MDB-2P Passive Stereo DI Box

A Direct Box (DI) is used to convert the outputs from a stereo instrument such as a professional keyboard to balanced 3-pin XLR for sending to the input of the mixing desk using standard microphone cables. One stereo DI required per keyboard.

Radial ProD2 Passive Stereo DI Box

A Direct Box (DI) is used to convert the outputs from a stereo instrument such as a professional keyboard to balanced 3-pin XLR for sending to the input of the mixing desk using standard microphone cables. One stereo DI required per keyboard.

Pioneer CDJ-2000NXS / DJM-900NXS DJ Decks

Two Pioneer CDJ-2000 Nexus players and DJM-900 Nexus mixer. Supplied in coffin case with cables. Laptop support shelf available on request.

Pioneer DDJ-SX2 Serato DJ Controller

Performance DJ Controller with dedicated slider road case. 4-Channel Performance DJ Controller Designed for Serato® DJ. Updated Jog Wheel with "Hot Cue Countdown". Multi-Colored, Velocity Sensitive Performance Pads. Supplied in road case.

Pioneer CDJ-2000 CD/USB Multi-Player

Professional industry standard Multi Player. Multi format playback: MP3, AAC, WAV and AIFF audio files on CD, DVD-ROM, SD Card and USB memory devices.

Pioneer DJM-850 DJ Mixer

Professional 4 channel mixer with effects. Traktor Scratch Certified.

Denon DN-X120 DJ Mixer

Professional 2 channel DJ mixer for CD or Turntable. VCA controlled crossfader with contour adjustment. Balanced 6.5mm TRS outputs. Inputs:  2 Line, 2 Phono/Line switchable, 1 Microphone. Supplied with road case.

Technics SL-1200 MkIII

Industry standard direct drive turntable supplied with road case and Ortofon cartridge. Supplied with road case.

Sennheiser HD25 DJ Headphones

Light weight, high sensitivity closed back style headphones that offer superior performance in loud environments making these headphones popular with DJ's, cameramen and working sound professionals.

Presonus Eris E5 near-field Studio Editing Monitors

5.25" Kevlar low-frequency driver, 1" silk-domed tweeter. 45W+35W, Class AB amplifiers. 53Hz-20kHz, 102dB max. Designed for near-field audio/video editing. Not suitable for live music applications.

$30.00+GST

per Pair

Presonus AudioBox iTwo Studio Bundle

Complete USB based 2 channel recording kit and audio/MIDI interface. ​Includes, USB powered interface, software, M7 large diaphragm condenser microphone and headphones.

Behringer UCA222 USB Audio Interface

Ultra-low latency 2 In/2 Out USB audio interface with digital output. Works with PC or Mac computer, no setup or drivers required. High-resolution 48 kHz converters for high-end audio quality. Stereo headphone output with dedicated level control lets you monitor both input and output. Additional S/PDIF optical output for direct digital conversion. USB powered - no external power supply needed.

Behringer U-Phoria UMC1820 Audio Interface

USB 2.0 Audio/MIDI Interface with ADAT I/O. Audiophile 24-Bit/96 kHz resolution. 8 x XLR I/P, 10 x 1/4" TRS balanced O/P, 2 x 1/4" Headphone O/P. 8 MIDAS designed Mic Preamplifiers with +48 V phantom power. Optical I/Os supporting S/PDIF, ADAT and S/MUX formats. Zero-latency direct monitoring of all analog inputs while recording.

Mogami Multicore Balanced 6.5mm to XLR Loom

8-way balanced loom used to connect the 1/4" TRS outputs from most audio interfaces to the XLR inputs on amps and powered speakers. This loom may be used in the studio, and ambient/immersive audio productions. Approx 15m length. 2 units available.

MegaDeck DJ Table

The iconic MegaDeck DJ table is an essential piece of furniture for festival stages and DJ comps. Plenty of space for decks, mixer and turntables. 1800 x 600mm. Fixed or rolling leg options available.

Graphic EQ, Fx & Compressor Rack 

This rack contains all the essential outboard gear when using an analogue mixing desk for live band or corporate work. The rack contains 1 x TC Electronic M350 effects unit, 2 x dbx231 dual 31 band graphic EQ units and 1 x dbx266XL dual compressor/gate, and patch leads. The graphic EQ's can be used as inserts on critical mic channels (ie. lecterns) or more commonly for the mixer Aux 1&2 and FOH L&R outputs.

Back to mixers

dbx DriveRack PA2 Speaker Processor

Advanced speaker processor with Auto EQ function and remote control capability. Supplied in rack case with reference RTA mic, tablet and wireless router.

https://youtu.be/oMwXYUDW_gM

$50.00+GST

TC Electronic M350 Dual Engine Reverb & Effects   

Great sounding Delay and Reverb unit with easy to use analogue controls.

dbx 231XL Dual 31 Band Graphic EQ

Used with analogue mixing desks to 'ring-out' potential feedback frequencies. Can be used as an 'insert' on one particular mic channel or over a Aux send, FOH or Group output channel. 

dbx 131s Single 31 Band Graphic EQ

The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. 10Hz - 50kHz frequency response, 110 dB dynamic range.

dbx 266XL Dual Compressor/Gate

Audio compressors are used with analogue mixing desks to 'fatten up' the sound of certain instruments, groups or mix outputs. Can be used as an 'insert' on a single mic channel or over an entire mix output. Gates are typically used on individual drum mics to automatically mute the channel between drum beats. 

Behringer Composer Pro

MDX2200 Dual compressor/limiter/gate.

Behringer Multicom Pro-XL

MDX4600 Quad compressor/limiter/gate.

Behringer Powerplay Pro-XL

HA4700 Four channel headphone amplifier.

Audio-Technica Mic Combiner

Used to combine two mic outputs into one channel to send to the mixer. Adjustable blend of Mic 1 or Mic 2. Works with phantom powered microphones.

Mic Stand - Tall Boom

Available in Black or Chrome. Microphone clip not included.

$5.00+GST

each

Mic Stand - Straight 

Round Cast base - Black. Microphone clip not included.

$5.00+GST

each

Mic Stand - Short Boom

Used for miking kick drum, guitar cabinets and cultural performers seated on floor rugs. Microphone clip not included.

High Rise Choir/Studio/Video Mic Stand

Height: 159-234cm. Boom Length: 124-222cm. Weight: 8.2kg. Microphone clip not included.

Mic Stand - Banquet

Used to mic conference/meeting participants seated at a table. Microphone clip not included 

Mic Stand - Desk

Used to mic conference/meeting participants seated at a table. Microphone clip not included 

Stereo Microphone Holder

Used to mount pencil condenser microphones in X-Y or coincident pair configuration. Microphone clips not included 

5 Mic Holder Bracket

Used to hold 5 microphones on the one stand. Microphone clips not included 

Lightweight Speaker Stand 

35mm spigot. Manual push-up stand recommended for 8", 10" & 12" PA speakers only.

Medium Winch-up Speaker Stand

2.2m winch-up stand with 35mm spigot. Maximum load: 50kg. Recommended for the larger 15" PA speakers.

Tall Winch-up Speaker Stand

3.5m winch-up stand with 35mm spigot. Maximum load: 45kg. Stand weight: 10.4kg. Base radius 0.92m

Adjustable Distance Pole

Provides an elevated mounting position for a satellite speaker box above a sub woofer. Suits sub woofers with 35mm top hat fitting.

K&M M20 Distance Rod

Provides an elevated mounting position for a satellite speaker box above a sub woofer. 88cm length. Suits sub woofers with an M20 threaded fitting.

$5.00+GST

K&M Double Fork Bracket 

For mounting two small speakers on the one stand.

$5.00+GST

Indoor Line Array Lifter

Winch operated speaker riser with folding stand and removable base. Can be used equally well with line arrays or conventional point source boxes (if fitted with suitable rigging points). Height 4.0m, width 1.37m (span 914mm), weight 50kg, load rating 272kg. (Speakers not included)

Line Array Lifting Tower

WORK WT-500 Pro lifter. Winch operated speaker riser with telescopic column and collapsible base. Can be used equally well with line arrays or conventional point source boxes (if fitted with suitable rigging points). Height 5.98m, width 1.93m, weight 152kg, load rating 270kg. (Speakers not included)

Tip:  experienced audio engineers know that speaker height is the key to improved audience coverage for larger events. Simple speaker stands or ground stacking methods are often used for convenience, but by raising the height of the top boxes well above the audience, these towers can allow you to achieve a far better coverage, allowing all patrons to enjoy the show no matter where they are seated. It is no understatement that these simple stands can make the difference between a very ordinary show and a great production.

$150.00+GST

AW502 Line Array Adaptor

Bridging piece for use with WT-500 line-array lifter above. Provides the necessary rigging points for either line arrays or conventional point source boxes. Suitable for lifter models: WT-500, WT-550 & LW-480

XLR Balanced Mic/Signal Lead

Balanced shielded 2-core microphone cable. Neutrik or Amphenol connectors. Available in lengths of 1, 2, 3, 5, 10, 15, 20, 30 & 50m.

Cables are supplied "Over-Under" rolled and must be returned in the same condition.

https://www.youtube.com/watch?v=-qO36-CfZKg

1-10m - $2+GST

15-30m - $5+GST

50m - $10+GST

XLR Mic Splitter - Y-Cable

One XLR(F) to two XLR(M) balanced splitter cable.

$5.00+GST

40-Way EWI Multicore Snake and Stage Box

32 XLR sends and 8 XLR returns, 45m length.

20-Way EWI Multicore Snake and Stage Box

16 XLR sends and 4 XLR returns, 30m or 45m lengths available.

30m - $30.00+GST

45m - $35.00+GST

20-Way Hosa Multicore Snake and Stage Box

Hosa Pro-Conex SH-16X4-100 modified with all XLR connectors as pictured. 16 XLR sends and 4 XLR returns, 30m length.